Here we can observe the plot of ‘games-of-Thrones’ that why it is so famous in between international public.
One of the most obvious values of Game of Thrones is that it’s aimed at adults and it’s not, you know, about kid stuff. Barna Donvovan, PhD, professor of film and media studies at Saint Peter’s University, says that “Game of Thrones is aimed squarely at adults, and it is not campy, self-referential, or comical. It basically does what serious science fiction and fantasy have always done, functioning as a symbolic commentary on the main social and political issues of the day.” In other words, it’s definitely not for the little ones, and even an adult audience has to stay on their toes to follow all the plotlines and innuendos.
The alluring, if somewhat frustrating, element of Game of Thrones is that just when you think you see a thread, the show proves you wrong. Central characters are killed, psychopaths claim power, weddings become bloodbaths, and bad guys develop consciences as time passes. The twists and turns of the plot lock us in, and the developments that are impossible to anticipate give us a dopamine rush that keeps us coming back for more.
The series really isn’t about good and bad at all – it’s about how the two interact and inform one another. “When I enjoy this series,” says Freeman, “and I frequently do, my identification with brutality or sexual excitement is not rationalized, as it might be in Lord of the Rings, by a sense that I am on the side of Right. Rather, I am assured that I am on the side of a progressive tolerance. It is an odd comfort to keep me company during the orgies and massacres.
Contributors: Alice G. Walton & M. Zaki Rain